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Shonen Note: Boy Soprano 2

為了解決musical note的問題，作者Kamatani, Yuhki 這樣論述：

A poignant coming-of-age series that’s moving and musical from the creator of Our Dreams at Dusk: Shimanami Tasogare! Yutaka is a boy treasured by his choir for his beautiful, soprano voice. But what will he do when the inevitable arrives, and his voice starts to deepen? Perfect for fans of Kagek

i Shojo!!, Keep Your Hands Off Eizouken, Blue Period, and Boys Run the Riot.Now that Yutaka has officially decided to join the city opera, he’s cast in a leading role in the ghost story The Turn of the Screw. Meanwhile, school choir president Betsuyaku struggles to prove that he and his choir are ca

pable of winning the gold prize in the NHK All-School Choir Competition. But can he bring the choir together to achieve greatness, or will he alienate all of its members?

musical note進入發燒排行的影片

A Practice-based Research of Sound Design Producing in Videography

為了解決musical note的問題，作者林永宏 這樣論述：

Making a good video needs to consider of many aspects such as story, image composition, lighting, sounds and music. In this study, the researcher demonstrated the process of making background music with an animation of Indonesia urban legend, Malin Kundang, a documentary video of Indonesian Muslim

lives in Taiwan, and commercial film of Ming Chi University of Technology by using the Creative Problem-Solving model which have 3 stages understand the problem, finding the ideas and planning for action. The results of this study provided a background music of the videos that enhance emotional feel

ing sync in with video images, documentation the process of making music and data collection from the audience and the musician experts, both feedbacks have a positive response that the music background was successfully enhanced the emotional feeling between the visual and audio itself and created a

conclusion of music element contained the ethnical element, flow of the music and the instrument choices. As the personal learning experiences from the researcher, a basic of knowledge music theory, understanding the context of the video and exploration of various instrument helps the student who a

re also interested to self-learning digital music.

Proceedings of the Worldwide Music Conference 2021: Volume 2

為了解決musical note的問題，作者 這樣論述：

Ildar D. Khannanovis Assistant Professor of music theory at Peabody Institute, Johns Hopkins University in Baltimore, USA. He is also Vice-Chair of the Scientific Committee of the Russian Society for Music Theory (OTM) and Member of EuroT@AM--Scientific Committee of the European Music Analysis Congr

ess (EUROMAC). In such position, Dr. Khannanov participated in organization of four congresses of the Russian Society for Music Theory, and currently, he is Vice-Chair of organizing committee of EUROMAC10. Dr. Khannanov is a student of Dr. Yuri Kholopov and Dr. Pieter C. Van den Toorn. He studied ph

ilosophy with Professor Jacques Derrida at UC Irvine. Dr. Khannanov has published his research in the areas of postmodernist philosophy of music, musical semiotics, methodology of analysis of musical work, teaching of form, harmony, and folk music. He participated in more than 100 international conf

erences and published books and articles in English and Russian languages. Roman Roman Ruditsa is Composer, Music Theorist, Inventor, and Pianist. In 1995, he graduated from the Rimsky-Korsakov Saint Petersburg State Conservatory. He had an assistantship in the composition class of Prof. S. Slonimsk

y and a Ph.D. program in the musical analysis class of Dr. E. Ruchievskaya. He also studied piano and harpsichord in the class of E. Seredinskaya. Roman Ruditsa is Member of the St. Petersburg Union of Composers. He is Author of cantatas, chamber, and orchestra music. His musicological works are dev

oted to questions of analysis, harmony, and counterpoint. As a performing artist, his interests lie in the field of historical performance. With Andrey Bayadzhan, he invented The Musical Notation Keyboard that is patented by the US Patent and Trademark Office. Roman Ruditsa is Founder of D Notation

company, which aims to create a perfect digital note typing tool, and the Worldwide Music Conference (WWMC).

陳珮瑩碩士學位音樂會樂曲解說

為了解決musical note的問題，作者陳珮瑩 這樣論述：

摘要本文為筆者碩士班學位音樂會之樂曲解說，曲目創作時期包括巴洛克、浪漫以及二十世紀等一共四首。音樂會曲目為韋瓦第（Antonio Lucio Vivaldi, 1678-1741）的《第一號大提琴奏鳴曲》（Cello Sonata No. 1）、舒曼（Robert Schumann,1810-1856）的《三首浪漫曲》作品九十四（Three Romances, Op. 94）、亨利．托瑪希（Henri Tomasi, 1901-1971）的《長號協奏曲》（Concerto for Trombone）、雷歐納德．伯恩斯坦（Leonard Bernstein, 1918-1990）的《給米丕的第

二號輓歌》（Elegy for Mippy II）。內文包含作曲家介紹、樂曲解說以及筆者之詮釋心得。