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Pedros Yo-Yos: How a Filipino Immigrant Came to America and Changed the World of Toys

為了解決Get success的問題，作者Penas, Roberto 這樣論述：

Discover the rags-to-riches backstory of one of America's favorite toys, the yo-yo, in this colorful biography of businessman Pedro Flores. It can spin and roll, leap and twirl. You can stretch it between your hands or swing it between your legs. The tricks you can do with one are nearly endless. No

wonder the yo-yo is one of the most successful toys ever made And its popularity began with a Filipino immigrant seeking a better life in the US. Pedro Flores was born in the Philippines in 1896, when Spain still ruled his country. After the US took over, Pedro traveled to California, received an

education, and looked for ways to go into business for himself. Then he remembered a toy from his childhood called the yo-yo, which means come back in Tagalog. With a couple blocks of wood and a little string, Pedro created his first model yo-yo and practiced tricks to show it off. It was an instant

hit When children saw the yo-yo in action, they clamored to get one themselves. So Pedro always performed his tricks near movie theaters, outside candy shops--anywhere he knew children would see the toy. Soon he was hiring fellow Filipinos to advertise it for him, while he ran factories that manuf

actured more than a million yo-yos a week But Pedro's success didn't stop there, as the yo-yo developed into a pastime that's popular even today, while Pedro himself pursued what truly mattered to him. Pedro's Yo-Yos is the lively story of one immigrant's ups and downs on the way to his American dr

eam. Roberto Peñas is a second-generation Filipino-American with a master’s degree in Philippine History. He won Lee & Low’s New Voices Award for the manuscript for Pedro’s Yo-Yos. He lives near Kansas City, Missouri, and you can find him on the web at robertopenas.com. Carl Angel is an artist, i

llustrator, and graphic designer whose work has been exhibited throughout the San Francisco Bay Area and Hawai’i. A Filipino American who grew up in Honolulu, Carl lives in San Leandro, California. He is the illustrator of several books, including Willie Wins, Lakas and the Manilatown Fish, and Laka

s and the Makibaka Hotel.

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以線上三級介入模式提升國中普通班教師正向行為支持知識之研究

為了解決Get success的問題，作者潘淳威 這樣論述：

本研究目的為探討以線上三級介入模式提升國中普通班教師正向行為支持知識之成效以及看法。研究方法採單一受試實驗之變更情境設計，以6名國中普通班教師為研究參與者，採用三級介入模式進行線上培訓，依序以自學、團體工作坊、一對一教練方式進行，每一階段評量結果未達90%之參與者進入下一階段接受介入，介入完成後填寫回饋調查。將所蒐集之量化資料進行視覺分析，並統整參與者回饋等相關質性資料，得到以下發現。一、 以線上三級介入模式實施正向行為支持課程，有2位教師能在次級達通過標準。二、 以線上三級介入模式實施正向行為支持課程，可提升6位教師正向行為支持的知識，其中2位教師達通過標準。三、 5位教師認同以行為技能訓

練融入教材與教學有助於學習與操作，4位教師對本教材持肯定態度。四、 4位教師認同線上三級模式可提供他們在學習上不同程度的支持、能滿足其學習風格與偏好。五、 4位教師認為正向行為支持對處理學生行為問題有幫助，願意在未來使用，並有信心能預防行為問題。

Getting Carter: Ted Lewis and the Birth of British Noir

為了解決Get success的問題，作者Triplow, Nick 這樣論述：

Nick Triplow's soulful biography of enigmatic British crime fiction pioneer, Ted Lewis (author of Get Carter), is one of those rare works of literary investigation that relentlessly asserts its own status as art. Like Philip Hoare's Melville in The Whale or James Sallis' Chester Himes: A Life, Tr

iplow more than uncovers the forgotten godfather of the modern British crime story; he also spins a noir morality tale with a poetry all its own. Mike Hodges' 1971 cinema classic was based on a book called Jack's Return Home, and many commentators agree contemporary British crime writing began with

that novel. The influence of both book and film is strong to this day. Lewis never lived to realize his legacy. Ted Lewis is one of the most important writers you've never heard of. Born in Manchester in 1940, he grew up in the tough environs of post-war Humberside, attending Hull College of Arts

and Crafts before heading for London. His life described a cycle of obscurity to glamour and back to obscurity, followed by death at only 42. He sampled the bright temptations of sixties London while working in advertising, TV and films and he encountered excitement and danger in Soho drinking dens,

rubbing shoulders with the "East End boys" in gangland haunts. He wrote for Z Cars and had some nine books published. Alas, unable to repeat the commercial success of Get Carter, Lewis's life fell apart, his marriage ended, and he returned to Humberside and an all too early demise. Getting Carter i

s a meticulously researched and riveting account of the career of a doomed genius. Long-time admirer Nick Triplow has fashioned a thorough, sympathetic, and unsparing narrative. Triplow is at once a cold case detective and a Boswell of the backstreets. Required reading for noirists, this book will e

nthral and move anyone who finds irresistible the old cocktail of rags to riches to rags.

社群媒體連載輕小說使用動機對體驗行銷、體驗價值及顧客忠誠度之影響

為了解決Get success的問題，作者紀錦嬑 這樣論述：

因數位科技產業發達、出版業的式微、民眾普遍環保意識提升，再加上人們的互動模式轉變，如今紙本文字與圖像大多跳出傳統紙本書頁的框架，逐漸轉以數位化（如電子書、有聲書、影音動畫等）形式呈現，其中含有「萌要素」與「遊戲式寫實主義」（ゲーム的リアリズム）的輕小說是青少年們重點購買的讀物，且大多以連載的方式吸引讀者持續關注；出版業者透過複合式媒體的方式將商品書籍對消費者進行體驗行銷，進而達到與不同階段的顧客及潛在顧客的開發與溝通。本研究以社群媒體連載輕小說進行分析，探討社群媒體使用者的使用動機，對於社群媒體連載輕小說的體驗是否會影響讀者的忠誠度。研究採取問卷調查法，透過Schmitt提出的體驗行銷概念與

Sheth, Newman and Gross 所提出的消費價值模型概念與作社群媒體連載輕小說問卷構面，探討社群媒體連載輕小說的體驗行銷、體驗價值及顧客忠誠度的相互關係。結果顯示多數的受測者為娛樂目的而使用社群媒體，有多年數位閱讀經驗與閱讀頻率高的受測者，皆認同社群媒體連載輕小說是良好的娛樂工具；讀者對於社群媒體連載輕小說的體驗行銷、體驗價值與忠誠度有顯著相關，影響讀者是否願意訂閱或閱讀社群媒體連載輕小說的關鍵來自於在閱讀的過程中所產生的「情緒」，以及作品是否能夠讓讀者產生「社會性的連結」。本研究結果可作為出版業者或是創作者對作品的行銷企劃略之參考。