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Various Artists’’ Djs Do Guetto

為了解決Dj afro的問題，作者Elliott, Richard 這樣論述：

Call it batida, kuduro, Afro house, Lisbon bass: anyone with a keen ear for contemporary developments in global electronic dance music can’t fail to have noticed the rise in popularity and influence of Lisbon-based DJs such as DJ Marfox, DJ Nervoso and Nídia. These DJs and producers have brought

the sound of the Lisbon projects to the wider world via international club nights, festival appearances, recordings and remix projects for a range of international artists.This book uses the 2006 compilation DJs do Guetto as a prism for exploring this music’s aesthetics and its roots in Lusophone Af

rica, its evolution in the immigrant communities of Lisbon and its journey from there to the world. The story is one of encounters: between people, sounds, neighborhoods, technologies and cultural contexts. Drawing on reflections by DJ Marfox and others, the book establishes DJs do Guetto as a found

ation stone not only for a burgeoning music scene, but also for a newfound sense of pride in a place and a community.

Dj afro進入發燒排行的影片

中小型家族企業交班者領導風格、接班者心理資本、世代差異與接班成果之關聯性研究 —以台灣手工具產業為例

為了解決Dj afro的問題，作者林坤盟 這樣論述：

摘要 本論文旨在探討台灣手工具產業接班之決策模型下，交班者領導風格、接班者心理資本、世代差異與接班成果之關聯性，進一步探討面臨接班挑戰下，如何達到順利接班。研究方法採用問卷調查法對受訪者進行調查，針對台灣手工具同業公會成員為研究對象，共發放252份紙本問卷及Google表單，回收186份，有效問卷151份。 本研究使用描述性統計、信度分析、效度分析、皮爾森積差相關分析、驗證性因素分析及SAS proc Causalmed分析，主要研究結果如下：一、 交班者領導風格民主式領導及家長式領導對接班者心理資本具有正向影響，而專制式領導則具有負向影響。二、 交班者領導風格民主式領導及家長式領導

對世代差異具有正向影響，而專制式領導則具有負向影響。三、 交班者領導風格民主式領導及家長式領導對街班成果具有正向影響，而專制式領導則具有負向影響。四、 接班者的心理資本對接班成果具有正向影響。五、 世代差異對接班成果具有負向影響。六、 世代差異在接班者心理資本和接班成果間具有部份中介效果。七、 接班者心理資本在交班者領導風格和接班成果間具中介效果。八、 世代差異在交班者領導風格和接班成果間具部份中介效果。 本研究依據研究結果，提出具體研究結論與建議，以供手工具產業接班傳承之參考依據。關鍵詞：交班者領導風格、接班者心理資本、世代差異、接班成果、手工具產業。

There Was a Time: James Brown, the Chitlin’’ Circuit, and Me

為了解決Dj afro的問題，作者Leeds, Alan 這樣論述：

"Alan Leeds was a proteg of James Brown and a true historian of the world that nurtured the great entertainer. Alan was a witness to the vibrant black music scene of the '60s and '70s--whose book is both a memoir and a document of a lost world of sound."--Nelson George, an American author, columnis

t, music and culture critic, journalist, and filmmakerA behind-the-scenes look at the Chitlin' Circuit during American's most vital period of soul music--from the eyes and ears of a young, Jewish kid from Queens who joined the team of the hardest working man in show business and learned the art of t

he music business at the hand of the performer who mastered it. In the mid-'60s, Alan Leeds was a young DJ looking for his way into the music business. An interview with James Brown to promote a local show in Virginia led to an opportunity to promote one of Brown's concerts, which then led to Brown

hiring him to help run his tours. Soon Leeds was wearing many hats and traveling around the country as Brown battled a complicated web of local promoters and managers, all too willing to try to rip him off. In this riveting book--part memoir, part history--Leeds weaves a wholly new and remarkable

portrait of Brown as an idiosyncratic iconoclast, determined artist, and forceful businessman. It is a rare look into a world little known to white America immediately following the Civil Rights Movement. Leeds discovers that Brown is a fascinatingly complex man and their experiences, both business

and personal, range from emotional to humorous. All the while, they navigate the complicated world of popular Black music in America, told by someone who actually lived it. "Over the course of his long life in music as a tour manager, archivist, writer, and fan, Alan Leeds had a ringside seat for s

ome of the greatest moments in soul and funk history--from James Brown in the sixties to Prince in the eighties to D'Angelo in the first years of the 21st century. His eye for detail and his abiding love for the music shine through in this affectionate, inspirational memoir. Alan is one of my all-ti

me heroes "--Ahmir "Questlove" Thompson "Alan Leeds is one of those cats that absorbs the situation & can recite it back to u word for word, always on point with details & graphics. That is what drew me closer to observing him, other than his big red Afro We all started with James Brown around the

same time. I didn't know what all Alan was doing at the time, but I knew if JB hired him he had to be on Heel & Toe or else u got to Blow That was one of JB's famous expressions to me while he was laughing, but u knew he was serious. To this day, when Alan speaks about something that happened back

in our JB days u can just about take it to the Bank Thxs Mr. Leeds for helping to preserve that funky & sometimes funked up history."--Bootsy Collins Writer-producer-tour manager, New-York-born Alan Leeds is a music business veteran. First hired by James Brown as a publicist in 1970, Leeds was so

on Soul Brother #1’s tour director. From 1975 until 1983 Leeds was a freelance tour manager, working with Kool and the Gang, Bootsy’s Rubber Band, Harold Melvin & the Blue Notes featuring Teddy Pendergrass, Kiss, and Cameo. In 1983 he moved to Minneapolis to begin a ten-year stint as Prince’s person

al tour manager and then president of his Paisley Park Records joint venture with Warner Brothers. In 1992 Alan formed a tour management company whose clients have included Sheila E., Bootsy Collins, Morris Day and The Time, the late Barry White, Maxwell, D’Angelo, Raphael Saadiq, Roy Hargrove, Rene

e Neufville, and Chris Rock. As a writer-producer Leeds has a long-standing consultancy agreement with Universal Music to co-produce their ongoing schedule of James Brown-related product, including writing liner notes and helping compile over thirty different albums. He has also contributed to the p

roduction and liner notes for CDs by Prince, Weather Report, Funkadelic, Mavis Staples, Hugh Masekela, D’Angelo, Bootsy Collins, Eddie Palmieri, LP Music, and Bob Belden. Leeds won a Grammy Award in 1992 for his liner notes to the James Brown Star Time box set. Alan was also a regular contributor to

Wax Poetics magazine and in 2008, Penguin Books released the critically acclaimed The James Brown Reader, edited by Leeds and Nelson George. Alan currently resides in Minneapolis with his wife of thirty-one years, Gwen.

重遊故鄉有多重要？以在台緬甸移民為例

為了解決Dj afro的問題，作者王慧美 這樣論述：

本研究檢視回憶對移民者家鄉目的地品牌權益和目的地品牌延伸之影響。以緬甸移民為例，本研究欲探討旅遊動機是否調節回憶與場所依戀之間的關係，更進一步檢測場所依戀是否正向影響目的地品牌權益及產品現延伸之間的關係。研究樣本為居住在北台灣台北市中和區華興街一年以上的緬甸移民，所採用之方法為非機率抽樣的「立意抽樣法(judgemental or purposive sampling)」，正式發放問卷為500份，其中包含385 有效問卷(回卷率 77%)。本研究發現 (1) 回憶會正向影響場所依戀 ，(2) 場所依戀與目的地品牌權益及目的地品牌延伸有關， (3) 旅遊動機正向調節回憶和場所依戀之間的關係。最

後，本研究之結果能夠給予相關管理者與研究者⼀些啓示與未來研究發展建議。關鍵字:回憶、場所依戀、旅遊動機、目的地品牌權益、探訪家鄉