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I Understand Everything Better

為了解決Around the bend的問題，作者 這樣論述：

Anexpansive documentation of David Neumann/Advanced Beginner Group’s 2015 ＂deeplyfelt and deeply moving＂ (New York Times)performance piece, a multi-disciplinary, dance-based work that explored theimpulse to report on calamity, the shimmer of attention to realms unseen, andthe evidence of the body as

possessing a will to let go of living. David Neumann’s work as a freelance choreographer, director and performerincludes a wide range of projects and disciplines. Since 1999, Neumann hasworked behind the scenes to craft plays, operas, films and multi-disciplinaryperformances. From avant-garde the

ater to blockbuster films, classic opera tonew musicals, David’s diverse experience has given him a unique ability to articulateideas through performers’ bodies. Whether playing one of Shakespeare’s kings ora virus-infected zombie with an appetite for Will Smith, the performers Neumannworks with gai

n from his multi-layered approach. David coaches individuals, hasmoved dozens of people through city streets, staged a hundred musical numbers, directed puppets, friends and drag queens, organized multiple Greek chorusesand continues to find new ways for the human body to communicate. He has workedw

ith stars from the ballet, film and avant-garde worlds, as well as those neverhaving stepped on a stage, learning valuable lessons from each. Neumann hasmany years of teaching experience working at Juilliard, NYU, Princeton and Yaleand is currently a tenured professor in the Theatre Department at Sa

rah Lawrence College. He has received threeLucille Lortel Award nominations and one Fichandler for his work on Cabaret atArena Stage. He is the Artistic Director of ’Advanced Beginner Group’, amulti-disciplinary performance company, which has been awarded three BessieAwards. He is a 2019 Lucille Lor

tel, Outer Critics Circle, and Tony Awardnominee, as well as the recipient of the 2019 Chita Rivera Award forChoreography for his work on the Broadway musical, ’Hadestown’. Recent and upcomingprojects include the musical ’Swept Away’ at Berkeley Rep, and choreography andcoaching for ’A Marriage Stor

y’, starring Scarlett Johanssen and Adam Driver.Advanced Beginner Group has created three evening length pieces performed in New York at The Kitchen, New York Live Arts, the Chocolate Factory and Abrons ArtsCenter, and on tour at The Walker Arts Center, MASS MoCA, MCA at Chapel Hill, and Alverno Col

lege, to name a few. ABG has been awarded several grants andawards, including three NY Dance and Performance ＂Bessie＂ awards. AdvancedBeginner Group has embarked on another evolutionary shift, in aco-collaboration with theater artist, Marcella Murray on their new piece, ’Distances Smaller Than This

Are Not Confirmed’ which premiered at Abrons ArtsCenter in January, 2020. David Neumann/Advanced Beginner Group embarkson each piece through an organic process begun from scratch, bringing to word, action, and proximity a delighted embrace of our contradictory lives.Contradiction is best felt throug

h humor and it is with a strategic use ofhumor that the work confronts our darker impulses and actions. ABG searches forantidotes to the absolutes that separate us, and so create these works as anirrational response to our perceived place in the universe. In each work, Neumann attempts to uncover a

distinct and complex view of the humanexperience. He embraces contradiction and juxtaposition as a means toward anactive engagement with the audience where performer and observer alike aregiven the potential to find themselves in a more alert state, more open to thesubtleties of their day-to-day exp

erience. To even approach this desiredcomplexity, the work is necessarily multi-disciplinary, as Neumann aims thevarious approaches and disciplines toward one another, and through theircollisions, bend the habitual gestures around new shapes. As adance/theater maker, Neumann focuses his efforts on t

he borders of theintellectual and the phenomenological, the representational and the abstract, and the personal and the cosmological with the intention to make blurry our desire to live inside distinct categories, binaries, and absolutes. David Neumann and Advanced Beginner Group desire an awakened

state, full of surprise, wonder, and humor without ignoring our pain, ennui, and existential longings.

Around the bend進入發燒排行的影片

短期一般沖刷與彎道基腳沖刷預測研究-以清水溪為例

為了解決Around the bend的問題，作者黃偉勝 這樣論述：

具坡陡流急卵礫石之清水溪河段為濁水溪重要支流之一，於洪水上漲過程發生急劇短期一般沖刷，並促使斜向流於河道堤防基腳沖刷。根據濁水溪水系歷史災損情形，清水溪福興圳護岸為近年河道沖刷潛勢較高河段。為了瞭解堤防基礎沖刷災害與河道水砂條件間之關係，本研究採用 SRH-2D 二維水理輸砂模式執行動床水理演算，並根據四河局 (2017) 埋設之無線沖刷追蹤粒子之沖刷深度監測，以2016~2017年颱洪事件作為模擬條件，並完成檢定與驗證。經由一系列模擬結果，影響河道沖刷之因素包括:有效洪水稽延(tp)、來流含砂濃度(SSC-Q)、地形高程之改變。此外，河道短期一般沖刷(dgs)與彎道基腳沖刷深度(dbs)

，係根據既有現場觀測資料與模擬成果，並納入有效洪水稽延(tp)與河道幾何因子(B/R)-水面寬與曲率半徑之比值，經與國內外相關研究做比較，初步顯示本研究推導經驗式適用於本土化之河川。

Long Way Round: Through the Heartland by River

為了解決Around the bend的問題，作者Hildebrand, John 這樣論述：

Inspired by tales of a mythic Round River, a circular stream where ＂what goes around comes around,＂ John Hildebrand sets off to rediscover his home state. Wisconsin is in the midst of an identity crisis, torn by new political divisions and the old gulf between city and countryside. Cobbling rive

rs together, from the burly Mississippi to the slender wilds of Tyler Forks, Hildebrand navigates the beautiful but complicated territory of home. In once prosperous small towns, he discovers unsung heroes--lockmasters, river rats, hotelkeepers, mechanics, environmentalists, tribal leaders, and pere

nnial mayors--struggling to keep their communities afloat. While history doesn’t flow in a circle, it doesn’t always move in a straight line either. Hildebrand charts the improbable ox-bows along its course. Long Way Round shows us the open road as a river with possibility around the next bend.

中高齡者認知功能及功能性體適能促進活動之研究

為了解決Around the bend的問題，作者鄭碧琳 這樣論述：

高齡化時代即將來臨，高齡化所延伸的健康重要議題，實不容忽視。本研究目的是探討體能與認知活動介入對中高齡者之功能性體適能與整體認知功能之影響，藉活動增進身心健康與提升生活品質和活躍老化。本研究採取準實驗研究方法，分實驗組與對照組，研究對象為某樂齡學習中心與自主學習團體，55歲以上中高齡者。樂齡學習中心團體為實驗組男性3 人、女性11人，自主學習團體為對照組男性 4人、女性13 人，共計31人。活動期程2021年5月7日至2021年7月23日實施，活動前後一週各進行前後測評量，活動由研究者親自帶領實體與線上活動共計10週，實體教學兩週，每次活動120分鐘，線上教學八週，每次90分鐘，共計960分

鐘。研究工具有教學計劃、蒙特利爾智能評量表(MoCA)，視覺空間/執行、命名、專注、語言、抽象概念、延遲記憶、定向七大項；基本健康資料與功能性體適能評量表，身體質量、兩手交背、坐椅體前彎、兩分鐘原地踏步、30秒手臂屈舉、30秒連續坐椅起立、30秒單腳站立、起身繞行2.44公尺八大項，活動設計內容以體能和認知多元活動介入。資料彙整SPSS數據分析，敘述性統計方式收集、整理、描述、以相依樣本t考驗分析前後測差異性，探討實驗組與對照組兩組活動介入差異情形。研究結果發現體能與認知活動對中高齡參與者有著正向的影響和效益。